The Mother Of Mankind Africa Is A Vast Land Full Of...

Known as the mother of mankind, Africa is a vast land full of resources and gracious people. However, most people do not see it as such. They think of the continent is being ravaged with disease, poverty, and war. Nevertheless, even though it does have those things, Africa is a thriving continent like any other. It has cities with vast highways and is advancing rapidly with the help of chivalrous people like Twesigye Kaguri. These people see Africa for what it really is, a place full of opportunity and they use their voices to bring attention to the real issues, trying to help the many villages and communities of the continent. It is known that in order to create a change, you must first start small and in A School for My Village, this proves to be true. This story follows Twesigye Kaguri, a human rights activist, on his path to making a difference in his home country of Uganda which is a small country in East Africa. Throughout the book the reader is pulled into Twesigye’s world as he recounts his experiences in Uganda and gives readers a chance to learn about the HIV/AIDs, or slim, epidemic that tore through the country taking the lives of many innocent people. Being that HIV claimed the lives of two of Twesigye’s family members, he felt as if he had to do something to stop the hurt that was tearing families apart. As it became apparent, Twesigye learned that the only way to prevent the disease from spreading was to eradicate the stigma surrounding the disease and educateShow MoreRelatedGp Essay Mainpoints24643 Words   |  99 PagesConsumerism 1. Media 1a. New vs. Traditional GENERAL Intro: †¢ The first quarter of 2043 will be when the last newspapers land on front process all over America. This is the prediction the author of ‘The Vanishing Newspaper’ †¦ †¢ Advent of tech has brought a radical change in the media industry †¢ No longer confined to reading news, watching television †¢ Click of mouse, people can access instantaneous info and news online †¢ Proliferation of online blogs and social networking sites such as

Legalizing Sport And Casino Betting - 945 Words

Every week between August and February, millions of average American citizens break the law. During this time, millions of people wager billions of dollars on football games. This culminates in February with the Super Bowl where more money is wagered than on any other sporting event in the world. The vast majority of people who place these wagers live in states where sport’s gambling has long been illegal. Even those seemingly innocent NCAA office pools or friend to friend sports wagers are against the law in most counties across the state. Surveys indicate that in many states, people are overwhelmingly in favor of legalizing sport and casino betting. However, state legislators continue to have great difficulty passing legislation to allow betting because the federal government and/or consumer groups that are opposed to any changes in the current law. In 2011, the citizens of New Jersey voted to allow citizens the right to bet on sporting events. The New Jersey legislator also passed an amendment making sports betting legal as well. However, the will of the people today is being nullified by a federal law passed over 20 years ago. In 1992, the federal government passed a law which essentially banned sports betting everywhere in the United States except the four states where gambling was already firmly entrenched (Nevada, Delaware, Oregon, and Montana). Now each time a state, in this case New Jersey, tries to pass some form of legislation to legalize gambling, organizationsShow MoreRelatedGambling Research Paper1427 Word s   |  6 Pagesa tax payer? Do you believe you pay too much in taxes? Well the amount of money that casinos and gambling bring into a state in taxes is a phenomenal amount. This could possible help lower your taxes and save you money. First, we are going to discuss what I believe to be the problem. Then, I would like to share with you what I think is the cause. 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AccordingRead MoreState Of New York Vs Draftkings And Fanduel2314 Words   |  10 PagesFanDuel Introduction Since the inception of fantasy sports companies, very few industries have grown this significantly in such a short time span. Since the surge in popularity of daily fantasy betting FanDuel and DraftKings have launched aggressive efforts to expand in order to reach the 51 million current fantasy sports users in the US and Canada alone. Although approximately 38% of Americans admitted to betting on sports in 2008, fantasy sports companies are also experiencing increased scrutinyRead MoreImpact Of Gambling On The United States1647 Words   |  7 Pagespresent day United States. As gambling grows as a worldwide enterprise, it expands the United States with the opportunities it provides and the attention it consumes. Gambling as a whole benefits different recreational activities and events such as sports. Gambling also allows people visiting places like Las Vegas to enjoy playing poker with friends and even winning money after a game of poker or Slot Machine. Gambling allows many activit ies to be expanded to their full potential and offer people theRead MoreAndrew Isaac. Honors English 10. Period 2. 6 April 2017.1627 Words   |  7 Pagespresent day United States. As gambling grows as a worldwide enterprise, it expands the United States with the opportunities it provides and the attention it consumes. Gambling as a whole benefits different recreational activities and events such as sports. Gambling also allows people visiting places like Las Vegas to enjoy playing poker with friends and even winning money after a game of poker or Slot Machine. Gambling allows many activities to be expanded to their full potential and offer people theRead MoreWestern Exportation Of Contemporary Casino Leisure1304 Words   |  6 PagesThe casino environment is a space of which I am quite familiar. 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Affectability of positive and negative written personal accounts Free Essays

string(66) " from does not apply at all \(1\) to applies very strongly \(4\)\." Expressive writing paradigm, positive and negative affect, positive meaning finding finding and positive affect. An individual’s conduct of thoughts and feelings disclosure relating to aspects of their life is often utilized through expressive writing as a therapeutic strategy. This act is more formally recognized as the expressive writing paradigm (Nicholls, 2009), describing the health benefits of expressive writing production. We will write a custom essay sample on Affectability of positive and negative written personal accounts or any similar topic only for you Order Now Rebuttals against this theory include its lack of a clear definition in regard to the reasons it proves an effective therapy (Sloan Marx, 2004), though its effectiveness remains undisputed. Expressive writing in studies can include a variety of deferent topic suggestion in analysis of any emotion from traumatic events to Immense positive experiences. Emotional expression has been shown to effect general satisfaction positively or negatively dependent on the correlated emotion to the subject of concern. Further enhancing this suggestion Is the notion of strengthened self-efficacy through emotional expression (Kirk. Schuster, Hint, 201 1 Already, Implications of Its use In positive regard becomes more applicable In applying positivist more generally as a result of written divergence. Writing has proven a powerful tool across studies In both mental and physical responses. An experiment conducted on Swedish athletes found a positive correlation between the writing of positive self-talk and reaction times (?seedeater, Spender, S ¶Darlene, 2012). Another more extreme case of expressive writing incorporation was used in a 2012) This study focused on the positive outcomes of the experience and was found to exhibit positive effects on common survivor constraints as fatigue, intrusive thoughts, post-traumatic stress and so on. Yet another study of interest involves the SE of expressive writing, though not with an observer’s direction of positive or negative affect. This study simply engaged participants to write down their traumatic experience. Outcomes of which included decreased physician visits and use of aspirin over time (Baneberry Bell, Confronting a traumatic event: Toward an understanding, 1986). These studies lie among a multitude of others (Kelly, 2012) – all of which indicate a significant positive impact of expressive writing on general satisfaction (Baneberry Chunk, 2007). One argument against this expressive rating paradigm is that the use of written emotions is not necessarily the promoter of positive affect. Instead, the act of expressing emotions in any form will release tension of the event (Baneberry, 1997). Expressive writing may be said to provide means for structure and organization of an individual’s emotions in a way they may never have thought about, or never have wanted to think about (Baneberry, 1997). This written account allows for little emotional repression if the participant involves themselves entirely in the process. This leaves open the argument that different harpies may produce different results and with a society of subjectivity, this argument remain undisputed. Nonetheless, expressive writing cannot be undermined as a sound means for effective therapy. Interestingly, a study set forth to decipher whether written trauma showed increased positive affect than vocalism the trauma in a public setting (Fez, Valances, Gonzalez, 1999). The study found that a written account of the trauma proved more negatively provoking than revealing in a public setting. Although further research needs to take place on this issue, it is hypothesized that written trauma is too intense, flooding emotions that the participant found more anxiety provoking than in a setting amongst other trauma victims. Linked to the term, as mentioned, are a number of different theories. As is with the case with many psychological theories, a singular theory is not applicable. To some, this may prove reason to avoid its use (Kelly, 2012). It may also be argued, however, that subjectivity among individuals necessitates more than a singular theory. Of these theories is the concept that the act of interacting with an emotional vent in a more analytical sense may provide an outlet (Baneberry, 1997). It is thought that this outlet may reduce a traumatic influence of the event or enhance and remind of a pleasant memory. Furthermore, interacting with the event forces the individual to structure and organism an event in a way that they may have not previously thought about, or have wanted to think about. It is thought that this may bring clarity of the situation, release and perhaps even closure through self-efficacy. These theories are described as the immediate cognitive changes through the act of expressive writing. The more long term theories include the release of memories that may have had impact on the working mind. This theory suggests that as expressive writing is further indulged, immediate arousal of the memory diminishes (Baneberry, 1997). This becomes especially essential with traumatic events which tend to lose emotional arousal over a number of expressive writing sessions. With this act of release, a biological theory arises in that anxiety and other illnesses as a expression writing is that of a more social front. A study on holocaust victims valued that 70% of survivors had not shared information socially (Baneberry, 1997). After writing and talking about these experiences with researchers. Many were able to then share them with others, providing further therapy in a social context (Baneberry, 1997). Many studies are devoted to uncovering expression writing and the theory behind it. So too have studies encapsulated the long-term effects on well-being of its use as a therapy. Fewer studies examine expression writing in its immediate effects on an individual. This study focuses on the immediate effects of emotional writing on an individual’s affect. With previous studies in mind, it is hypothesized that a positive affect will be correlated with exposure to positive experience writing; whereas a negative affect will be correlated with exposure to negative experience writing. Method Participants Participants were 173 (129 females) undergraduate students from an Australian tertiary education institution. The mean age of the participants was 30. 19 years (SD ? 9. 17); male mean age was 28. 14 (SD = 7. 2), and female mean age was 30. 89 (SD = 9. 60). Materials. The Ego-Resiliency Scale (ERR-89; Block Kramer, 1996). This 14 item measure of trait saliency uses a 4-point Liker scale, ranging from does not apply at all (1) to applies very strongly (4). You read "Affectability of positive and negative written personal accounts" in category "Papers" The scale is reportedly highly reliable (a = . 76) with example items including: ‘l am more curious than most people’ and ‘l quickly get over and recover from being startled’. Resiliency was calculated by summing scores from all 14 items with higher scores indicating greater resiliency. The Depression, Anxiety, Stress Scale (DADS-21; Loving Loving, 1995). This 21 item measure of depression, anxiety and stress records responses on a 4-point Liker scale from never (1) to almost always (3). The DADS-21 is reportedly highly reliable (a = . 96). Example items include â€Å"l find it hard to unwind† and â€Å"l felt that I wasn’t worth much as a person†. The General Health Questionnaire (GHZ-12; Goldberg Williams, 1988). This 12-item measure of general mental and physical health utilizes a 4-point Liker scale from not at all (O) to quite a bit (3). The reported reliability of the GHZ-12 ranges from . 82 to . 86. Example items include whether participant have â€Å"lost much sleep over worry’ and â€Å"been unhappy and depressed†. Positive and Negative Affectively Scale (PANS; Watson, Clark, Telling, 1998). This 20-item scale was used to assess positive and negative ambient mood. Participants were asked to rate the extent to which they felt the emotions ‘right now’ on a 5-point Liker scale, ranging from very slightly or not at all (1) to extremely (5). Both the positive mood scale (a = 0. 90) and the negative mood scale (a = 0. 4) are considered highly reliable. Example positive mood descriptors included interested, excited, strong, proud and inspired. Example negative mood descriptors included distressed, upset, guilty, irritable and nervous. Positive affect is calculated by summing scores from all 10 positive items, with higher scores indicating greater positive affect. Positive meaning finding. A series of questions adapted from those reported by Tugged and Frederickson (2004) were administered in order to assess the degree to which participants found meaning in their described event. To prompt meaning finding, participants completed two open ended the significance of the event? Specific meaning finding questions included: ‘To what extent do you feel you might benefit from this situation in the long term? ; ‘How likely s it that there is something to learn from this experience? ; and ‘How easy is it to find meaning in the described event? Ratings for these questions were made on a seven- point scale, ranging from not at all (1) to extremely (7). Meaning finding was calculated by summing scores for these three questions. Linguistic Inquiry and Word Count 2007 (LAIC; Francis Baneberry, 1996). All written positive disclosure essays were converted into individual word documents and analyzed through the LAIC program. The LAIC program was used to yield descriptive data on the number of costive and negative emotion words, and insight words used in the written disclosure pieces. In addition it was used to generate percentages of insight words used in the extended response positive meaning finding questions. The LAIC program has been found to correlate with Judges’ ratings in the range of . 37 to . 81 (Francis Baneberry, 1996). Procedure Data were collected from participants in either face-to-face or online first-year classes. Upon commencing the class, participants were introduced to the session as one on emotions. Qualities was the software program used to host the online survey. Participants were asked to pay close attention to instructions provided during the testing session. The session commenced with the ERR-89, DADS-21, GHZ, all of which served as distraction questionnaires, and the PANS. Following completion of these, the experimenter informed participants that they would complete a 15 minute writing task and that it was important that they tried to type for the entire 15 minutes. Participants were randomly assigned to the positive, neutral, or negative written disclosure condition. Participants in the positive written disclosure condition achieved the following instructions: Write about the most intensely positive experience of your life. Write about the experience in as much detail as you can. Really get into it and freely express any and all emotions or thoughts that you have about the experience. As you write, do not worry about punctuation or grammar; Just really let go and write as much as you can about the experience. Participants in the negative written disclosure condition were instructed to do the following: For the next 1 5 minutes write about the most important personal problem you are currently acing in your life. Write about the experience in as much detail as you can. Really get into it and freely express any and all emotions or thoughts that you have about the experience. As you write, do not worry about punctuation or grammar; Just really let go and write as much as you can about the experience. Continue writing until you are instructed to stop by the researcher. Finally, those in the control condition were asked to write about the activities of their day thus far in the most structured and detailed format possible (for an example see Tugged Frederickson, 2004). The experimenter stopped participants at the end of the 1 5 minutes and directed them to continue with the rest of the experiment. The remainder of the test consisted of a post-test PANS, positive meaning finding and demographic questions. Once completed, participants were debriefed and provided with experimenter contact details should they require further information regarding the experiment. Results Prior to running the statistical analyses all data were screened for normality and positive written disclosure statements revealed participants chose to write about a wide variety of positive experiences. The five most common positive experiences included parenthood, establishing a significant relationship with a life partner, traveling overseas, career, and academic achievements. The five most common negative experiences included future career prospects, current employment, financial concerns, mental health, and relationship issues. Hypothesis 1 stated that writing about an intense positive experience will result in a greater increase in positive affect. To examine whether positive affect increased, change in positive affect scores were calculated by subtracting the pre-test from the cost-test positive PANS score. A one-way NOVA with three levels of the independent variable (positive, neutral, or negative written disclosure task) was performed to test the impact of the written tasks on change in positive affect. Results revealed that there was a significant difference between the neutral (M = -1. 12, SD = 5. 6), negative (M = -3. 81 , SD = 9. 54), and positive written disclosure conditions (M 3. 14, SD = 7. 34) for change in positive affect scores, F(2, 173) = 12. 14, p 0. 001. Post hoc analyses using Bonferroni adjustments revealed that the differences between he positive and negative, and the positive and neutral conditions were significant to the . 001 level for change in positive affect. This finding suggest s that participants in the positive written disclosure condition experienced a greater increase in positive affect following the task, compared to those in the neutral and negative conditions. Hypothesis 2 proposed that writing about an intense positive experience will result in greater meaning finding. A one-way NOVA was calculated to compare meaning finding scores between the three conditions following the written task. Results valued that there was a significant difference between the neutral (M = 14. 60, SD = 4. 20), negative (M = 15. 46, SD = 4. 35), and positive written disclosure conditions (M 19. 24, SD = 2. 65) for meaning finding scores, F(l, 189) = 24. 60, p 0. 001. Post hoc analyses using Bonfire adjustments revealed that the differences between the positive and negative, and the positive and neutral conditions were significant to the . 001 level. Participants who wrote about an intense positive life experience elicited greater positive meaning from the experience, compared to those who wrote about a active experience, or the days events. Discussion This data indicates that writing about positive and negative experiences increases and decreases affect accordingly, in conjunction with neutral conditions. The data also represents a greater meaning finder in participants engaged with positive written expression as opposed to negative and neutral conditions, with negative written expression producing the lower meaning finder of the two. With the hypothesis of the expressive writing paradigm in mind, it may be said that obtained results support this suggestion. In previous mention of the term, the expressive rating paradigm has been supported in many studies over long periods of time and through rather more intense conditions; such as the example of breast cancer survivors (Lu, Ghent, Young, Gawk-Singer, LOL, 2012). Furthermore, previous studies focus greatly on the expression of traumatic instances (Baneberry, 1997) quite the opposite in that negative expressive writing produces a negative affect and lower meaning finder among participants. These results, however, are compared to that of writing positive experiences and so it may be said that a decreased score would be expected. Alternatively, being a cross-sectional design, perhaps more interesting results would be compiled from a series of written expression of the same account in the case of a negative experience. From previous studies, it is implied that regular written expression of a negative experience may produce positive results, contrary to those shown in this study. One of the implications of this study may be related to indulging regularly in written accounts of positive experience to improve positive affect and meaning finding. Future studies, however, would benefit from the analysis of regular positive written expression. As is shown in previous studies with that of traumatic events, increased confrontation through written expression is shown to reduce negative affect. It may be possible that the opposite effect adhere to regular confrontation of positive experience. Perhaps this positive experience would decrease in positivist, or even have a reverse effect over time. The limitations of this study include, primarily, the tested participants. Undergraduate psychology students may not accurately represent the population. Many other studies of the same caliber have an inclination to testing of traumatic situations among a particular sub-group. Interesting would be the results obtained from a randomly selected participant group, and measuring them both for instant results and results over a number of tests. A further limitation may be described in the means in which data was collected. Lending to an intrusive subject matter, a face-to-face collection in class may not yield the greatest results. Anonymity to observer aside, students sitting within close proximity to another student may feel threatened by invasion of privacy and not reveal inner most feelings, effecting results. Furthermore, participation in the study was of a compulsory status. This may have affected the amount of effort students put into discussion as opposed perhaps to an individual actively seeking treatment or even involvement in a study. To prevent possible confounds in the future, ideally, participants would be of a random selection of willing volunteers. If unattainable however, it may prove advantages to separate students among the class too radius in which their test cannot be overlooked. Despite these limitations, this study shows promising results by suggestion that positive expression writing increases positive affect and greater meaning finding. These results may prove useful in a variety of situations and therapies; though further testing should be undergone to discover the extent of its effect. How to cite Affectability of positive and negative written personal accounts, Papers

Academic Writing Memoir

Question: Discuss about theAcademic Writingfor Memoir. Answer: The Truth in Memoir Writing Memoir is considered a subgenre under the category of Creative nonfiction. According to Henderson, the author incorporates into the memoir a part of his lifes event. The objective of memoir is to reveal the authors experiences. Dollins discussed that the main difference between autobiography or biography and memoir is that the former covers the complete life of the author. Memoirs should include real facts, true stories of the authors life. In the given passages, the Patricia Hampl and Salman Rushdie have outlined the definition of Memoir. In the passage one, Patricia Hampl has discussed that memoir and fiction are not the same and any accusation of from the critics part is unjustified. Singer, and Nicole discussed, Memoir, as a genre is accused with intermixing memory with imagination. Her point of argument in this essay centers on the role of memory in writing nonfiction and its difference from imagination. Hampl argued that memoir is the best tool to channelize ones emotion while revealing real facts (Hampl, 1996). It is a fact that every person attaches some amount of emotion and imagination to his experiences. An autobiography or journalistic writing might reveal the facts; however, these are unable to project the real emotional outcome of the author. Memoir accomplishes this task effectively. Hampl argued that each person has a real past that is tangible and made with real stuffs that he has undergone. (Hampl, 1996) However, not everything is preserved in the mind. People tend to remember some facts accurately and forget some completely. Memory plays the vital role whenever one decides to share those events. She has discussed that whatever is stored accurately as a memory can be expressed in details. It does not mean that those facts are not real or imaginary. In cases where reality cannot be depicted in its complete shape, the imagination of the author reconstructs a portion of it without violating the main essence of the narrative. (Hampl, 1996) In any of those instances, the writer never moves out of reality and enters into the domain of fiction writing. Memoir is definitely not a fiction. Fiction does not include any real facts uttered by the narrator. According to Frye, Hampl has brought the question of why a writer should select memoir as a style of writing over biography while sharing his life stories. It is a point of argument why a writer should write memoir and not an autobiography if he has decided to express his own experiences. Patricia Hampl discusses the answer in this book. She said that memoir enables the writer to incorporate his subjective self or subjective point of view into the narrative (Hampl, 1996). Every situation or every experience never adds value to our lives if it is devoid of any personal emotion. Karr also opined that the emotional outcome that is a result of the subjective point of view acts a link between the author and the narrative. Unlike the fiction, memoir is a documentation of real events with real emotions. Therefore, the readers feel mote involvement with the story. Karr said, Hampl explains that it is the gift of the narrators to transform the experience through creative imagination and adds value to that experience. Memoir does this job effectively. The second passage, extracted from Salman Rusdies memoir Imaginary Homelands, defines memoir as an effective subgenre of Creative nonfiction. The confusion of a writer while describing the real emotions is clearly brought out by Rushdie. He uttered that when he looked through his window and found a beautiful scene of the city, he felt that it is not something that he has imaganied (Rushdie 2012). His imagination was completely different from what he has experienced. However, as a writer of nonfiction narrative, he is bound to project the real events and real emotions. He is not allowed to exercise his imagination while describing how the city of North London looks from the windowpane (Rushdie 2012). The discussion of memory, imagination and creativity in the nonfiction writing is very different here from the previous extracted piece of writing by Patricia Hampl. According to Juhl, here the focus of the narrator is to upheld the truth about utilizing memory and bring the past back wit hout any distortion. The subjectivity of the narrator plays a major role in this instance. He wanted o present his own version of history through his experiences. As Rushdie discussed, this version should be different from all the other possible versions experienced and shared by other people. A mere nonfiction prose, however, states the fact. This fact might be same for everybody. Rushdie opined that memoir makes the difference in this case. Hidalgo discussed, Memoir explores the real fact replete with the subjective experience of the narrator. It describes the way the reality has affected or influenced the narrator, which varies from one person to another. However, Rushdie does not ignore the questions of accuracy and authenticity. He explained that he has tried to remain imaginatively true. Although, the truth of the imagination is a matter of suspicion for many people, yet that is the best possible way to explore a new and different version of the real fact. He argued that any o ther person might not experience his version of the reality; however, it does not make his version false. This version might also not be included into the history, yet it is not false. The way Rushdie has experienced India and especially Bombay, might never be the same again, and it might not be found in the future too. Still, it is his experience and should not be included into the genre of fiction. It is not his imagination that he has shared; rather it is the subjective point of view that he has incorporated into the narrative. To make his point clear to the readers, Rushdie has introduced a narrator named Saleem who narrates the story. Through Saleem, Rushdie has shared his real experiences. As already discussed, Rushdie has made an argument that our memory does not remember everything and therefore, it is impossible to describe everything. To project this concept, Rushdie has made Saleem having a fallible memory. It is a matter of argument whether a novel is considered a memoir or not. An autobiography can be considered a memoir. A biography can never be a memoir because the subjective self of the narrator is not present in the novel that a memoir strongly demands. Some novels that claim to have based on any real life incidents are also not included in the genre of memoir if it is based on the experience of any other person. The narrator must share his own experience creatively through the narrative. It is clearly pointed out by Hampl as she mentioned the intersection of narration and reflection in the memoir. It is the subjectivity of the narrative that makes all the differences. A creative nonfiction writer will show the topic or the subject, place and personality through actions. Memoir is one such genre of creative nonfiction, where the writer focuses on presenting the I of the writer. The inclusion of subjectivity attaches an amount of suspicion into the narrative. Both Hampl and Rushdie have introduced this point of argument in their works. On one hand, human memory is not bound to store everything that it is gone by. The question is to maintain factual accuracy by not filling the blank with the imagination of the author. Hampl has written that a memoirist always have her story already finished and completely achieved in reality. In such a situation, the memoir is nothing but a transcription of the history. Her words justify the authenticity of her narrative. She has discussed how memory plays an important role in recollection of the real facts. As she said that she did not remember anything about her first arithmetic lessons, yet the memory of the first piano lesson is accurately preserved in her mind. Her discussion negates the allegation of falsification. The memoir that she has written is replete with minute details of experiences because she has actually remembered those things. On the other hand, Rushdie has argued that it is impossible to recall every detail. Therefore, he made his narrator having a fallible memory. It does not make the narrative a fiction; rather it is an important component of memoir as a genre. Defining Non Fiction Creative non-fiction is also named literary nonfiction and narrative nonfiction. The style is marked by producing narratives that are factually accurate. As a genre, it is contrasted with other types of nonfiction including academic or technical writing and even journalistic style of writing because all these technique focus on presenting fact based narratives. However, creative nonfiction is gaining acceptance with time. One thing that comes to mind is that in what ways other nonfiction is different to creative nonfiction. In addition, how can nonfiction be creative? It can be understood by analyzing creative nonfiction as a separate genre. The main objective of the nonfiction writer is to provide accurate information about any real incident. However, his presentation should be in a way that appears as a fiction. Various narrative forms belonging to this genre include biography, memoir, autobiography, literary journalism, food related writing, diary, travelogue, chronicles, and personal essays. There are other hybridized essays that are part of this genre. According to Williams, the genre of creative writing can be divided into two sub-categories namely Personal essay and journalistic essay. Apart from this opinion, another critic Kerr has outlined four distinctive characteristics of this genre. He emphasized on the inclusion of documentable subject matter taken from the real world and not something invented in the mind of the writer. It tries to establish the fact that creative nonfiction should include real facts of the real world. The second characteristic of this genre is exhaustive research. It allows the writer to channelize novel perspective through the narratives. Exhaustive Research also permits the writers to include verifiable references in the text that enhance the credibility of their narratives. The third characteristic of Creative nonfiction is the scene. It means that the writers should describe and portray a scene in a contrast to the journalistic style of writing. The forth characteristic of it is named as fine writing: a literary prose style. It refers to the polished and organized writing style of the narrator that makes the narrative attractive to the readers. Apart from all the characteristics discussed in the above, the creative nonfiction can also have a style of traditional style of fiction writing (Girard, 2015). As Starkey has discussed, in many of the well-known creative nonfiction essays, the author is found using the style of fiction writing while providing real facts about a real event. Fenton Johnsons Story of love and loss, and Geography of the heart, and Patty Hearst by Virginia Holman are found to follow this trend. It is a fact that the genre has undergone many experiments and is still going through it. The main question is in what ways and to what extent the creative nonfiction can be creative. The level and limitation of creativity have been discussed by the authors. In his book Silvertown, Melanie McGrath has mentioned that the real facts in the stories act as the canvas on which he has embroidered and those facts that are absent are replaced by the reimagined scenes or events to match the real essence of the scene (McGra th, 2012). He believed that such reconstruction does not alter the truth but enhanced it. Not all critics have agreed on inclusion of reconstructed events. One important aspect has been discussed by Himmelheber et al, they discussed that memory, which is the storehouse of all the real facts, reconstruct real facts unconsciously. It is not always possible to write exactly the same actions that took place. Human memory keeps the main essence intact based on which it provide facts. Therefore, human memory is termed as the ultimate mythmaker. According to Beaumont, even if one writes a journalistic price of writing based on a interview, the writer is unable to provide exact words of the interviewee. The main points included in the published writing should retain the real facts; however, it is impossible to avoid imagination at all. Use of creative imagination is profound in such instances. Often the journalists are accused with presenting falsifying stories. It can be said that they hav e failed to channelize their creative thinking. Creative imagination of the author should not exaggerate or overshadow the real facts. It should support the Factual evidences with proper style and presentation. Any falsification of facts in case of journalistic essays is considered unethical. This issue of ethics is applied in other types of Creative nonfiction too. The purpose is to project the truth. According to Einstein, creative nonfiction deals with both truth and accuracy, that is expected from nonfiction writing. Pickett has observed that since the genre of creative nonfiction started gaining acceptance from the readers and the authors, some critics have talked about the limitation of the art form. Writing in scenes, which is an important element of creative nonfiction, indicates the difference between telling and showing. It is observed that a nonfiction writer mainly introduces a subject or a topic, a place or any personality. However, a creative nonfiction writer will show the topic or the subject, place and personality through actions. It has resulted into the development of subgenres under the category of personal essay. Memoir is one such genre of creative nonfiction, where the writer focuses on presenting the I of the writer. Memory and Imagination by Patricia Hampl is a creative nonfiction narrative. It falls into the subgenre of memoir. Here the narrator has shared her childhood experiences in a creative manner. Hampl describes the role of music in her family life, as her father was a violin player. Hampl learnt music from her father and used to perform duets with him. The story is presented in detail. According to Gutkind, from the very beginning of the story, the facts appeared to be believable. However, it is found that not every single details presented in the narrative is not true. Some of them are the projection of Hampls own imagination. Through the narrative, she has tried to demonstrate the need of the people while writing or reading a memoir. Hampl has tried to establish the importance of imagination in memoir writing. However, the first draft of the narrative introduced only the basic concept of what to write; then the writer shifted to the detailed discussion. Through her memoir, Hampl has e xpressed the hidden emotions and images. This is what many critics have talked about as the violation of the authenticity of nonfiction writing. While presenting her life story, Hampl has incorporated her emotions and experiences into the narrative. The existence of the self or the I within the structure of the nonfiction writing is what makes it a piece of creative nonfiction (Hampl, 1996). On the other hand, Freeman discussed, the existence of the self in the narrative is an evidence of truth and reality. Whatever she has experienced in her childhood, she has expressed it to the readers. The memories of that she shares, the memories of her parents compelling her to become the person they wanted, the kinds of punishments and consequences that she survives, everything is described with effective choice of words. The debate was whether these words are exaggeration or real emotions. Words such as tortured flair, artistry, gleamed are mainly found in fiction prose. According to Concha, Hampl has used these words to show the situation she has faced. All creative nonfiction writers should have the idea about the limitations of providing emotional overtones. Through the scenes, she has presented her story. The readers are able to see what she has wanted to show them. It goes perfectly with the concept of creative nonfiction. Apart from the scenes, Hampl has maintained all the four elements of Creative nonfiction. She has retained all the other elements of creative nonfiction in this memoir. She has documented the real life events, exercises her perspective through experiences, presented the scenes, and written in beautiful literary prose style. To discuss whether Hampl is successful in presenting real events without any exaggeration, a close look at the prose will be given. While reading the story, the readers will find the detailed description of the characters mentioned by the author. She described Sister Olive Marie as small, plump woman. She has mentioned the name of the real people. It is found in the name of Thompson (Hampl, 1996). However, Hampl has justified why she has chosen the genre of memoir while intending to share her childhood experiences. She has written that a memoirist always have her story already finished and completely achieved in reality. In such a situation, the memoir is nothing but a transcription of the history. Her words justify the authenticity of her narrative. She has discussed how memory plays an important role in recollection of the real facts. As she said that she did not remember anything about her first arithmetic lessons, yet the memory of the first piano lesson is accurately preserved in her mind. Her discussion negates the allegation of falsification. According to Himmelheber et al, the memoir that she has written is replete with minute details of experiences because she has actually remembered those things. Therefore, when she utters that, the sun makes me sneeze, the reader is supposed to accept it as a real experience of that particular moment because Hampl has actually remembered them. Caulley opined, on the other hand, when she mentioned that she has added her creativity to differentiate the narrative from mere transcription, the reader is bound to accept the areas where creativity occurred. Hampl has pointed out that memoir is considered nonfiction because each person has a real and tangible past. In this book, she has only brought that past in front of the readers. As it is her life events and she is the person who is writing, it is supposed to include her subjective point of view. Therefore, it is very much a piece of creative nonfiction. References Beaumont, Karen. "Delving into the fourth genre."English in Aotearoa88 (2016): 26. Caulley, Darrel N. "Making qualitative research reports less boring: The techniques of writing creative nonfiction."Qualitative Inquiry(2008). 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